We have a problem in publishing. The 2019 Diversity in Publishing survey found that on average almost 80% of people shaping the publishing industry are white. When this was published, that statistic had not shifted significantly for years. This reality perpetuates the systematic exclusion of historically marginalized writers that will not change unless those with literary platforms and thus some degree of power actively strive to change it.

Toward that end, we at Frontier are offering this space as an opportunity for Black writers, Indigenous writers, and writers of color (BIPOC) to get fast results on their submissions. We'll do our best to get you a decision on your poetry within two to four weeks. Your voice is valued here, and we welcome your work.

These submissions will be considered for our New Voices poetry category.
 

Guidelines

• Submissions are open internationally for historically marginalized BIPOC writers only.
• Submissions are open to new and emerging poets with no more than one full-length published work forthcoming at the time of submission—email us about self-published works)
• We accept simultaneous submissions—just please send us a note via Submittable if your work is picked up elsewhere (we want to say congrats!)
• All submissions must be no more than ten pages and no more than five poems.
• We do not accept multiple submissions. Please submit all your poems in ONE document.
• Please include a brief cover letter with your publication history, if any.
• Expect two to four weeks for a response.
• Publication in our New Voices category includes a payment of $50 per poem.
• Please review our FAQ page for more information. Almost all other questions are answered here: www.frontierpoetry.com/faq
   

Submissions for our New Voices poetry category are open year round to any new and emerging poet who has not published more than one full-length collection of poetry. New Voices are published online only and will feature a number of poems from new authors each month.

We are thrilled to offer significant payment to our partner poets: $50 per poem, up to $150. We are proud to be paying for  published pieces but will be highly selective in our choices for  publication.

We also warmly invite under-represented and marginalized voices to submit. Our aim is to be an accurate representation of the diversity of our beautiful community. Your voice is valued here.

Guidelines

• Submissions are open to new and emerging poets only  (no more than two full-length published works forthcoming at the time of submission—email us about self-published works)
• We accept simultaneous submissions—just please send us a note if your work is picked up elsewhere (We want to say congrats!)
• All submissions must be no more than ten pages and no more than five poems.
• We do not accept multiple submissions. Please submit all your poems in ONE document.
• Please include a cover letter with your publication history
• Expect six to eight weeks for a response
• Please review our FAQ page for more information. Almost all other questions are answered here: www.frontierpoetry.com/faq

Editorial Feedback Option

This option costs $59 and will provide you with two pages of detailed and actionable feedback on a poem of your choice from the submission, including suggestions for future submissions. Our guest editors are paid a significant portion of the fee (at EFA rates) and are all incredibly astute and professional poets. Please note, the time frame for Ed Letters is eight to twelve weeks from the time of submission. 

Maybe you’ve seen her. We don’t know her real name—we just know her as “The Mona Lisa.” How often do we really think about the “Girl with a Pearl Earring” outside of the confines of Vermeer’s iconic painting? Choose your favorite portrait, from photographs and paintings to that excellent selfie you took on vacation four and a half years ago—and think: how do all of these images express the emotion and history shared between artist and subject?

Frontier Poetry wants your portrait poems—not just your portraits, but portraits of everyone who matters to you, from your beloved pets to your best friend from high school who you don’t talk to anymore, avoiding eye contact when you pass in the aisles at the grocery store. Of course, we want to see your self-portraits, but we also want to see how you depict your loved ones (and maybe even your enemies). Show us the joy, and show us the pain. The candid shots you took with your Polaroid camera, the yearbook photos, your older brother’s expired driver’s license you used as a fake ID in college that sorta, kinda, looked like you. Memory, urgency, history, narrative, specificity. We want to know The Mona Lisa’s name—we want to know everything about her. Put it all in the poems. Get it on the page. 

Chen Chen’s “Self-Portrait as So Much Potential,” is an excellent example of the way that the self-portrait form can be used to explore the different aspects of the self. Chen puts himself in context with his mother’s expectations, and when he describes himself, he sees his true self, rather than the projection of his mother’s aspiration.  

I am not the heterosexual neat freak my mother raised me to be.

I am a gay sipper, & my mother has placed what’s left of her hope on my brothers. 

Chen’s realization of his mother’s disappointment might be hard to admit, but he uses humor in order to create this self portrait, and this allows him to be honest with himself. This balance of dark and light is where many portrait poems find success. A good portrait depicts its subject as truthfully as possible. If you are struggling to find inspiration, this poem by Diane Seuss, this poem by Eduardo C. Corral, or this poem by Danez Smith can all work as model texts. You can find some exercises to help you get started here. 

For this contest we will be awarding our first-place winner $3,500 and our second- and third-place winners $300 and $200, respectively. Our guest judge for this contest is Omotara James. The contest will be open from October 15 to December 15, 2024, and the winners will be selected and published in early to mid-spring of 2025. 

About Our Judge

Omotara James is the author of the debut poetry collection, Song of My Softening (Alice James Books, 2024), featured by NPR’s Morning Edition and The Washington Post’s Book Club. Her chapbook, Daughter Tongue, was selected by the African Poetry Book Fund for inclusion in the 2018 edition of New Generation African Poets. James is the recipient of the 2023 J. Howard and Barbara M. J. Wood Prize from the Poetry Foundation, as well as a 2019 92Y Discovery Poetry Prize. Her work has received support from the New York Foundation of the Arts, Cave Canem Foundation, Lambda Literary, and elsewhere. Widely anthologized, her poetry appears in the most recent Best American Poetry series. Critically acclaimed poet and bestselling author Idra Novey, hails James as “one of the defining poets of her generation.” Omotara James writes, teaches, and edits in New York City.

Guidelines: 

• Submissions are open to new and emerging writers (that is, for this contest, poets with no more than one full-length published work forthcoming at the time of submission).
• Send us only your best, polished work—unpublished poems only, please.
• As part of our dedication to the pursuit of a more inclusive publishing world, we are offering a free submission window for poets from historically marginalized groups at the beginning of the contest until we reach our cap of fifty. Please note the free portal will close when we hit our submission cap. (This category is now closed.)
• Please do not include any identifying information in the body of your document.
• We accept simultaneous submissions, but please notify us immediately if your work is accepted elsewhere.
• We ask for no more than three poems with a max of five pages per submission. Please submit all your poems in ONE document. We have no particular aesthetic or formal requirements and consider all styles of poetry.
• Each entry requires a submission fee of $20.
• Multiple submissions (of up to three poems apiece) are allowed, but each requires a separate entry fee.
• Please include a brief cover letter with your publication history and personal bio. Also include any content warnings in consideration of our reading staff.
• Work generated by AI will be automatically disqualified.
• Submissions are open internationally, to any poet writing primarily in English. Some code-switching/meshing is very welcome. 
• Please do not submit work if you have a close relationship with the guest judge.
• If you have any questions, please visit our FAQ page. If you don’t find the answer to your question, email us: contact (at ) frontierpoetry (dot) com.
• The deadline is December 15, 2024. We plan to announce winners and finalists in spring of 2025. 

Editorial Feedback Option:

This option costs $59 and will provide you with two pages of detailed and actionable feedback on your submission, including suggestions for future submissions. The $149 option will provide you with three letters from three different editors. Our guest editors are paid a significant portion of the fee and all are astute and professional poets. Please allow eight to twelve weeks after the contest closes to receive your feedback.